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Friday, June 25, 2010

Anthems with Composer Wm. Glenn Osborne


Last night I was invited by Wm. Glenn Osborne to hear three anthems that he wrote, using my hymn texts, as sung by the Shrine Choir, the professional octet at the Basilica of the National Shrine of Mary, Queen of the Universe at their Thursday evening rehearsal.

What a thrill it was to hear them sing this fantastic music that Glenn wrote this month.

The SHRINE CHOIR is the professional choir-in-residence at the Shrine, directed by Dr. Wiliam Picher.
The Mary, Queen of the Universe Shrine Choir is the resident professional choir-in-residence at Mary, Queen of the Universe Shrine, the last great Marian shrine of the Second Millennium, which opened in 1993. The Shrine Choir was formed to minister to the many thousands of tourists who attend Mass at the Shrine, and to provide the very best in liturgical choral music. The Shrine Choir's members come from all parts of the United States, and all have extensive choral experience. In addition to singing regularly at Shrine liturgies on Sundays and Holy Days, the Shrine Choir performs concerts and other outreach ministries.

Dr. William Picher (director) was born to a musical family in Portland, Maine and began taking organ lessons with his father, Frank Picher, at the age of 7. At age 13, he began study of trumpet and has continued playing both instruments throughout his career, as well as composing, conducting and teaching. Dr. Picher holds music degrees from the University of Maine, Eastman School of Music and Catholic University of America. He as has served at the Cathedral of the Immaculate Conception (Portland, Maine), the Cathedral of St. Jude the Apostle (St. Petersburg, Florida) and as a member of the United States Navy Band in Washington DC. He has composed and arranged several published choral and brass works. In 2000, Dr. Picher was awarded the St. Jude Medal by Bishop Robert Lynch in recognition for his service to the Cathedral of St. Jude the Apostle and the Diocese of St. Petersburg. Currently, Dr. Picher serves as Director of Music/Organist and the Artistic Director of the Shrine Concert Series at Mary, Queen of the Universe Shrine. Additionally, he is on the music faculty of Florida Southern College in Lakeland, Florida.

With a repertoire ranging from the ancient chants of the Church, to selections by contemporary composers, the Shrine Choir ministers at select 9:30 a.m. Sunday masses, along with other special events.

The women and men of the Shrine Choir have such wonderful voices, they truly did justice to Glenn's setting of my words.
You can read mead more about the Shrine Choir at their webpage:

http://www.maryqueenoftheuniverse.org/choirs.html

The names of the anthems are:
...
"See a Baby! See a Manger!'
...
"Babe of Bethlehem, Draw Near!"
...
"God, We Would Hear the Angels Sing"
...
Glenn wrote these anthems because he recently had a conversation with the school music director at St. Margaret Mary. She is looking for Christmas music for her choir to sing at the Pueri Canotres festival in Rome. Glenn had one Christmas text of mine already, but wanted to know if I had any others I could share with him. I sent him several, not knowing which might work best for his purposes. Immediately he set to work and has created three stunning anthems.

About Pueri Cantores: The basis of the modern International Federation of Pueri Cantores, founded in the twentieth century, was formed on a deep ancient Christian conviction that singing can be an instrument of worshipping God. It has been a significant element determining the musical form of Christian worship over the centuries. St Paul in his letter to Colossians encourages them to teach and admonish one another with all wisdom, and as they sing psalms, hymns, spiritual songs with gratitude in their hearts to God (cf. Col 3:16). These words prove that in the early Christian consciousness there was a strong belief that people, through singing, not only worship God, but also professes their faith. Thus singing was a tool of preaching the Gospel and a means of spiritual and moral development of a believer. An ancient conviction that "music soothes the savage beast", and allegedly St Augustine's saying that "he who sings, prays twice as much", serve as a very convincing proof. Those early Christian ideas are fundamental to the present shape of the Pueri Cantores Federation.

I wish you could have heard the Shrine Choir sing them. And I wish you could have heard their enthusiastic reactions at the end of each piece.

Let me tell you about Glenn:

William Glenn Osborne is the Director of Liturgical Music for the Roman Catholic Diocese of Orlando, Florida. Mr. Osborne works in conjunction with the Director of Liturgy to plan all major and secondary diocesan liturgical celebrations. He also serves as a consultant to clergy and musicians throughout the diocese on relevant liturgical, musical and personnel issues.

Prior to coming to Orlando, Mr. Osborne served as Director of Music and Organist at the Cathedral of the Immaculate Conception in Albany, NY. His duties included not only playing the organ, directing the choir and training cantors, but also organizing concerts and composing music for liturgy.

Mr. Osborne studied organ, improvisation, and composition in France, living in Aix-en-Provence and Lyon. Before studying abroad, he earned degrees from Westminster Choir College and the University of Notre Dame where he studied organ with William Hays and Craig Cramer, respectively. Mr. Osborne has given concerts in the United States, Italy, France, Switzerland, Spain, and Greece, and has placed in several national and international competitions.

With singer-songwriter Kim Harris, he composed Friends of Freedom to introduce children to spirituals, opera and the underground railroad. In 2006, he was commissioned by the Festival Celebration Choir in Albany, NY to compose a piece, “Festival Te Deum,” which premiered in honor of their 20th anniversary. In 2008, Mr. Osborne arranged pieces for papal liturgies during the visit of Pope Benedict XVI to New York City.

Glenn plans to take the anthems to the AGO conference in July and I plan to take them to the Hymn Society Conference the week thereafter. Maybe at one or the other, they will find a home with a publisher.

Friday, June 4, 2010

"Sinfonia Festiva" with words by John A. Dalles

In about a month I will be presenting a new book of my hymns called "We Turn to God" at the 2010 Annual Conference of the Hymn Society in the United States and Canada.

I have just recently learned the happy news that last year's Annual Conference of the Hymn Society in the United States and Canada included as the closing composition of the hymn festival "Hear the Children Life Their Voices" a work by James Biery called "Sinfonia Festiva". James Biery is the Director of Music of the Cathedral of St. Paul in St. Paul, Minnesota, where the festival was held. "Sinfonia Festiva" was presented with the first stanza of my hymn "God, Bless Your Church With Strength" printed as an accompanying text.
"God, Bless Your Church with Strength" was written for the 150th anniversary of First Presbyterian Church of South Bend, Indiana.

For more about Jim Biery and his work, see:
http://bierymusic.com/

For more about architect Emmanuel Louis Masqueray, who was Isabel Roberts' architecture professor, see:
http://en.wikipedia.org/wiki/Emmanuel_Louis_Masqueray

Thursday, June 3, 2010

O God, Our Lives are Parched and Dry - A New Anthem with Dorothy Frisch



I wrote the words to be sung to the very familiar tune OLD 100TH, on June 23, 2005. So five years ago, this month. It is a hymn about living water, and the scriptural allusion most apt is from John Chapter Four. As is possible for anyone writing hymns, I posted the hymn text on The Hymn Society website, so that those who are interested in new hymns could see it and consider using it; this was on August 12, 2005. Permission for its one time use in worship was also given with that posting, which was to end at the end of 2006.


It was there that Dorothy found the words, and wrote beautiful music to go with them, setting the hymn as an anthem, very much the anthem that you see today in this new publication. While Dorothy had worked for a church in Pittsburgh at a time that coincided with my time of serving Fox Chapel Presbyterian Church, there, we had never met.

The anthem was sung here at Wekiva and at Dorothy's church as well, by their respective choirs. Eventually, GIA Music in Chicago indicated an interest in the work as an anthem, and now, here it is, available for choir directors and congregations, wherever they may be.

There is more to the story of course, with lots of emails and conversations back and forth between author, composer and publisher, but this is the condensed version. Five years may seem a long time from conception to publication, but it seems to be pretty typical.

And as many of you know, Dorothy has set other of my works to music including a complete Christmas cantata and a complete Easter Cantata.